1. Do acoustic panels help with soundproofing?

In a nutshell, no. Understandably, this is a confusing one, but there is a huge difference between acoustic treatment and soundproofing.

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Acoustic Panels, Bass Traps, and Diffusers are all acoustic treatments used to control the acoustics within a space (e.g., reducing reverb, echo, bass trapping).

Soundproofing refers to isolating a room from its surroundings or to stop the transmission of sound through one wall to the next. Soundproofing almost always requires some degree of construction to build heavy new structures that are decoupled from the other walls and ceilings.

2. What are bass traps?

Bass traps are low-frequency, sound-absorbing devices. They are used to absorb the very large waveforms created by low frequencies.

Without effectively absorbing low frequencies, rooms have massive dips and peaks in their frequency response.

Bass traps come in a few varieties, the most common ones are porous absorbers, membrane absorbers, and Helmholtz resonators.

3. What are room modes?

Room modes are natural resonances that occur when speakers or a sound source excite a room at frequencies with wavelengths equal to the room dimensions.

This leads to standing waves that cause large distortions to the frequency response of the room, emphasizing some sounds while masking others, and causing very uneven decay times. Ultimately this leaves you with an inconsistent and undefined foundation for your monitoring system.

5. I have extra acoustic foam, can I use that in my room?

Not all acoustic foams are created equal but for the most part, the answer is no. The cheap acoustic foam with wedges or triangles does not have the required mass or depth to effectively absorb mid or low frequencies. If you are only looking to absorb frequencies above 2,000Hz though, go for it.

6. How much acoustic treatment do I need?

This will vary drastically from room to room based on the use of the room and the desired soundscape. Recording studios have very different needs from restaurants and one restaurant will inevitably want a different sonic scape than another. If you need help figuring out what is needed for your space, fill out our Free Room Advice Form.

Here are some recommendations that can give you a ballpark sense of what is needed.

Home Studios: 30 to 60% of the walls and ceiling covered

Control Rooms: 50 to 75% of the walls and ceiling covered

Podcast Studios: 50 to 75% of the walls and ceiling covered

Restaurants: 35 to 45% of walls or ceiling covered

Offices: 20 to 50% of walls and ceiling covered

For recording studios, we need to break this down into two categories: For control rooms and home studios, you want to start by targeting the early reflections on the sidewalls, ceiling, and back wall. This will start to establish a reflection-free zone at the listening position. For tracking rooms, you will generally want to start with an even distribution of acoustic treatment. Often times this will consist of both absorption and diffusion.

If you need help figuring out where to put acoustic treatments in your space, fill out our Free Room Advice Form and we’ll be in touch.

8. What are sound barriers?

Sound barriers are materials or combinations of materials used to isolate a sound source or room. Typically, sound barriers are built into walls during the construction phase but there are some products that can be retrofitted on existing walls/structures.

In order to be an effective sound barrier across the frequency spectrum, these materials need to be very dense and heavy. Mass-loaded vinyl is commonly used in soundproofing applications as a sound barrier both in walls and as a floor underlayment. Two layers of drywall with Green Glue between them is another example of a common sound barrier used for soundproofing.

9. How do I Soundproof a door?

Soundproofing a door is a difficult task if you are hoping to stop any and all sound from getting through it. There are some acoustic doors that will get you close but they will cost you around $4,000 each.

Luckily most of the time, total isolation is not required, and you can build your own soundproof door with readily available products.

Our preferred DIY method is to use a solid wood core door and adoor seal kit. The most important thing here is achieving an airtight seal all the way around the door when it is shut.

If you are framing out a new room, utilizing double doors is always the best practice. Use solid wood core doors for both and door seal kits. If you are on a budget, you can use an automatic door bottom and silicone door seal.

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10. How do I soundproof a window?

First, are you blocking/covering/plugging a window, or do you want to preserve that precious natural light? If you no longer need a functional window or natural light, the cheapest and simplest option is to cover the window.

1. Build a frame 1.5” taller and wider than your window out of 6.5”x.75” boards.

2. Put weather stripping on the back of the frame to de-couple it from the wall and to provide an airtight seal.

There are many misconceptions regarding the set up of two-channel systems in audio room design. The misconceptions still linger since this blog was originally written. We have updated this blog on 11/14/19 to readdress these issues, half-truths, and hyperbole.

Audio room design or acoustic room design is something all music lovers have to give serious thought to. You spend thousands of dollars on gear and then place it in a room full of distortion. Our digital gear has high resolution and no distortion. We then take that gear and place it in a room that is all about distortion. The room is full of low-frequency pressure modes, reflections, and many other problems. You must plan your room dimensions, your gear set up, along with a host of other variables. If you do not plan ahead for your critical listening room, you will struggle through the entire process and never achieve the quality sound your gear is capable of creating.

Many Questions To Answer

Maybe you’re thinking where should I place my speakers? Should they be 4′ from the side walls or 5? What distance from the front wall should both speakers be placed? How far back should I sit? Can one side wall be glass and the other side wall be a closet? Can I have different materials on the front wall and different materials on the rear wall? What if my room is so large that the rear wall is 30′ away from my listening position? Do I need one chair or can I use a couch or love seat for two or more people? In short, what are the actual real-life dos and don’ts of acoustic room design you need to figure out right here, right now?

In the following video, I’ll go over some common dos and don’ts of room design and set up in personal listening rooms. I actually show you a personal listening room with four common errors, something we see on a consistent basis in most listening rooms. I also show you how unequal left and right channel sidewalls and the treatment or lack of treatment can destroy your stereo image and sound stage you are trying so hard to create. You will also see how nooks and spaces can create resonances of their own competing with the wanted direct energy from your loudspeakers. Finally, you will see how glass on one side channel and no glass on the other side and how it affects your audio enjoyment. See if you have any of these dos and don’ts of audiophile set up in your room and if you do, well, read on!

Designing A Two Channel Set Up

Setting up a two-channel listening room involves a list of acoustic design do’s and don’ts that must be followed and these are the same dos and don’ts the professionals go by when they set up there monitoring or control rooms. First, you must have equal distance from your right channel sidewall and your left channel sidewall. Sound is an electro-mechanical produced energy that moves at a constant speed. Your listening or monitoring position is a combination of the direct or straight line sound from your speakers and then the room sound which is the reflected energy from the sidewall surfaces among other surfaces. Both of these distances must be equal. The distances must be equal because we need the same distance for the sound to travel at the primary, secondary, and tertiary reflection points.

Three Reflection Issues

We have three reflections that must be managed. These three reflections have a direct impact on our stereo presentation. They have a direct impact on the center image, the resolution or definition of this image, and the centering of that image between the speakers. We must have equal distance from speakers to each sidewall, equal distance between each speaker, and equal distance from speakers to the listening position. We need predictability and consistency in all measurements, so we can dial in all the variables we need to manage in order to squeeze every ounce of performance out of our gear.

Acoustic Fields Studio Pro Foam :  https://www.acousticfields.com/product/acoustic-foam/

Absorption / Diffusion

We have two treatment choices when it comes to managing sidewall reflections, we have two treatment options. We have diffusion and absorption. Absorption is the treatment of choice for managing the time signature of reflections. It is economical, does not take up much space and is relatively easy to install. However, not all absorption treatments are equal. Most companies design absorption treatments for noise. They design to absorb as much energy per square foot as they can. Music and voice are different than noise. Music and voice require special rates and levels of absorption to not over absorb and destroy the nuances in our recorded music sources. We must use proper rates and levels starting at 125 Hz. and going through 500 Hz.

No Open Areas

You can have no open areas or nooks in the listening room. Enclosures such as these produce audible resonances that can be heard at the listening position. Fill all fireplaces with sound-absorbing technology to reduce resonances. Keep the equipment rack as low as possible if you have it located against the front wall between the two speakers. If it is higher than 12″, it interferes with reflections from the front wall surfaces causing comb filtering in the middle range frequencies where our vocals lie. Make sure the front and both sidewalls are connected to each other to form a “U”.  We need those three surface areas to be contiguous and connected to each other. We can have an open rear wall but the front of the room must form that predictable and consistent distances that we will require for proper set-up and room tuning.

Room Treatment Type

Room treatment must be of the same type on both sidewalls. If you have chosen absorption for the right channel side wall then you must use absorption on the left sidewall. If you have chosen diffusion for the right side wall, then you must use diffusion on the left sidewall. What diffusion prime number to use depends on speaker type, speaker size, speaker radiation pattern, and the room size and volume.

Low-Frequency Treatment

The front wall and the sidewalls are the areas for locating low-frequency management technology.  The front wall directly behind the speakers is the wall in most rooms is the area of highest low-frequency pressure and must be managed. You must measure the amount of unwanted low-frequency pressure and provide the correct type, amount, and position of the treatments. Only diaphragmatic absorption has the horsepower to deal with large amounts of unwanted low-frequency pressure. Boxes filled with building insulation will not work here. You must have a technology that has the proper rates and levels of absorption to deal with 30, 40, and 50 Hz. energy. Here is the performance data for our ACDA-12 diaphragmatic absorber.

ACDA units offered by Acoustic Fields:   https://www.acousticfields.com/product-category/sound-absorption/acda-series/

Summary
So I hope this brief discussion has helped you. If you have any questions at any time I am always on hand to help answer them. Leave them in the comments section or me at . If you would like to learn more about room acoustics, and in particular audio room design, please sign up for my free video training and ebook by joining the mailing list here. I send room tuning tips and things for you to test in your room every Wednesday. They are easy to follow and really help you enjoy more of their music.

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